Uncle Marv, 2020, Pen, pencil, acrylic and flash paint on Shizen Pastel Paper, 9 x 12 inches.
Scaffold: Equity of Treatment is about the importance of self-reflection and preservation and how these very important practices must be manifested through equitable treatment in our homes, communities, and world. The use of the scaffolding is to symbolize the individual care and support we all need. Cadiz’s goal is to encourage discussions on self-reflection, self-love, and practice in deciphering what we require as individuals and ways our systems of support can better meet these needs. Cadiz sees the Scaffold project as a kind of visual spiritual alchemy that challenges the viewer and subject to see themselves as a universal being made up of their experiences and understanding. The scaffold serves as a form of protection and support, it symbolizes the relationship between consciousness and matter within self. When we know ourselves and the kind of support we need, we can better ask of what we require from the world in order to bring satisfaction and harmony to ourselves and others.
Elan Cadiz is an interdisciplinary North American Visual Artist that deconstructs and balances her intersectionality through her projects. Her art and practice are grounded in the documentation of her personal narrative through the use of historical imagery and the domestic. Cadiz sees herself as a cultural interpreter and visual documentarian. She immerses herself in environments, documenting the familiar and the unfamiliar all the while expressing these inquiries with artworks she create. The artworks created and the materials used are all determined by her experience and interactions with the places and people she comes in contact with, in the present and the past. Elan Cadiz graduated from City College of New York with a BA in Studio Art and received a MFA Fine Arts degree from the School of Visual Arts where she was awarded the SVA Merit Scholarship, Paul Rhodes Memorial Award and the Martha Trevor Award. Cadiz has been commissioned by the Studio Museum in Harlem, El Museo de Barrio, Art in Flux Harlem, Mount Vernon Hotel Museum and more. She was one of the first Sustainable Arts Foundation AIRspace Parent Artist Resident at Abrons Art Center and her An American Family Album series was featured in VOGUE. Her artworks can also be found in New American Paintings magazine, issue #146 and #153.